WANG Tuo
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Wang Tuo (b. 1984 in Changchun, China) currently lives and works in Beijing. Through various media, including film, performance, painting, and writing, he interweaves art history, cultural archives, literature, and mythology to construct narratives that blur the boundaries of time and space. Drawing upon perspectives from intellectual history and political philosophy, Wang examines the complex entanglements between the disruptions of modernity in China and East Asia and the contemporary dilemmas that emerge. By engaging with the concept of “hauntology” within the Chinese context, he introduces “pan-shamanization” as a proactive mechanism shaped by historical forces to evoke suppressed and untreated memories of the 20th century, revealing the hidden logics within current social power structures and the intricate relationships between collective unconsciousness and historical trauma.
Wang has recently held solo exhibitions at K21, Düsseldorf; UCCA Center for Contemporary Art, Beijing; Present Company, New York; Salt Project, Beijing; Taikang Space, Beijing. He has also participated in group exhibitions at Queensland Art Gallery, Brisbane; M+ Museum, Hong Kong; National Museum of Modern and Contemporary Art, Seoul; Julia Stoschek Collection, Düsseldorf; Staatliche Kunsthalle Baden-Baden, Baden-Baden; Queens Museum, New York; Kino der Kunst, Munich; Zarya Center for Contemporary Art, Vladivostok; Incheon Art Platform, Incheon; Power Station of Art, Shanghai; OCAT, Shenzhen & Shanghai; Times Museum, Guangzhou; National Taiwan Museum of Fine Arts, Taichung. Wang was an Artist in Residence at the Queens Museum in New York from 2015 to 2017. He received the China Top Shorts Award and the Outstanding Art Exploration Award at the Beijing International Short Film Festival in 2018. Wang was also awarded the Three Shadows Photography Award in 2018 and the Youth Contemporary Art Wuzhen Award in 2019, OCAT x KADIST Media Artist Prize in 2020. Wang was the recipient of the Sigg Prize 2023 from the M+ Museum in Hong Kong and the K21 Global Art Award from K21 Düsseldorf in 2024.
SELECTED WORKS
NEWS
Interrogative Mood, On the art of Wang Tuo
ARTFORUM
March 2025, VOL. 63, NO. 7

Pictures of the Post – 80s Generation —— Generational Leap
TANK Shanghai
11.6, 2024 – 5.4, 2025

Wang Tuo: The Second Interrogation
Blindspot Gallery
3.18 – 5.6, 2023

ON | OFF 2021: Carousel of Progress
He Art Museum
2022.2.4 – 4.17

Unknown Games
Shanghai Duolun Museum of Modern Art
2021.8.15 – 10.17

Wang Tuo: Empty-handed into History
UCCA Beijing
2021.6.6 – 9.5

The Circular Impact: Video Art 21
OCAT Shanghai
2021.4.28 – 7.11

Bodies of Water: The 13th Shanghai Biennale
Power Station of Art
2021.4.17 – 7.25

Étude
Aranya Art Center
2020.5.23 – 8.23

2020 MMCA Asia Project: Looking for Another Family
MMCA Seoul
2020.5.22 – 8.23

UN/CONVENTIONAL – OCAT x KADIST Emerging Media Artist Exhibition 2020
OCAT Shanghai
2020.5.16 – 8.16
Standing At The Crossroads
WHITE SPACE
2020.4.30

The Deficit Faction
Long March Space
2019.11.2 – 2020.1.1

Forget Sorrow Grass: An Archaeology of Feminine Time
Guangdong Times Museum
2019.9.14 – 11.17

What Is It that Makes Today’s Life So Different?: Porsche Young Chinese Artist of the year of 2018-2019
Beijing Exhibition Centre
2019.5.30 – 6.2

Now Is the Time: 2019 Wuzhen Contemporary Art Exhibition
Wuzhen
2019.3.31 – 6.30

Remapping Reality: Selected Video Collection from Wang Bing
OCAT Shanghai
2019.3.23 – 6.16

hic sunt leones
Gallery Weekend Beijing Up&Coming Sector
2019.3.22 – 4.18

HOW NOW · The Life APP
How Museum
2019.1.19 – 4.19

8102: On Reality
OCAT Shanghai
2018.12.29 – 2019.3.10

New Metallurgists
Julia Stoschek Foundation
2018.10.2 – 2019.4.28

Assembling
chi K11 Art Space
2018.5.27 – 8.25
The Lexicon of Amnesia An Interview with Wang Tuo
YISHU
2017.7.11

Dream-atic
Christian Louboutin Sanlitun Gallery
2017.6.19 – 9.30
Wang Tuo: Myths We Don’t Outgrow
Leap
2017.6.10
Wang Tuo
Frieze
2017.5.27
The Symbolic World and the De-Subjectivized Portraits
Art World
2017.5.20
“从未走出的神话”:观念意识的生成与流变
IART
2017.4.20
Wang Tuo
Art Asia Pacific
2017.4.12
王拓谈“失忆事典”
Artforum
2016.11.27
展评 | 王拓:失忆事典
Flash Art
2016.11.21
Nadim Abbas and Tuo Wang: Only the Lonely
LEAP
2016.10.6
Tuo Wang’s ‘multi-narrative spectacles’ on display at Riverviews Artspace
The News and Advance
2016.4.3
Alessandro Facente, curatore embedded
La Voce di New York
2016.4.3
Interview
Art Reveal Magazine
2015.7.8
Tuo Wang “A Study for Human Opera: Prelude”
LEAP
2015.4.8
Performing the Teacher
William Cobett
2015.4.7
An Interview with Tuo Wang
video focus
2015.3.7
Six degrees of innovation
The Boston Globe
2014.4.24
BIG RED AND SHINY
Brian Christopher Glaser
2014.4.23
STRONG WOULD-BE MASTERS
The Boston Globe
2013.8.6