Liu Xinyi (b. 1982, Hangzhou, Zhejiang Province) currently lives and works in Beijing, working primarily on installations, as well as still and moving images.

Liu pays attention to the messages that arise from the transnational circulation and cross-cultural application of everyday products. His studio work reframes political spectacles originating in the digital public sphere, alongside social installations embedded in daily life. His solo and collaborated projects navigate social spaces shaped by contemporary municipal governance, translating cultural contexts and technological practices that choreograph collective behavior. Liu’s conceptual practice engages the latent structures of the Chinese psyche—veiled in particular phrases and idioms, inscribed in political imagery, and woven into public infrastructure—while imagining the residual roles of the obsolete, the defective, and the untraceable in an increasingly instrumentalized information society.

A selection of his solo exhibitions/projects includes, Rehearsal #6: Liu Xinyi(2026), Taikang Art Museum, Beijing; Applause Is Due(2019), DRC No.12, Beijing; Fraternité Passagère (2018), Espace DawanArt & Galerie Liusa Wang, Paris; Air Port (2017), Forum Art Museum(Sekmai Space), Dongguan; Hundred Thousand Miles Away(2016), White Space, Beijing; Chaoyang Qunzhong (2015), A307 Space, Beijing; Goulash(2014), White Space, Beijing and Excitation Waves (2013), Taikang Space, Beijing. His works have been featured in group exhibitions at Hong Art museum, Wenzhou; Tai Kwun Contemporary, Hong Kong; BY ART MATTERS Tianmuli Art Museum, Hangzhou; OCAT Shenzhen, Shenzhen; HOW Art Museum, Shanghai; Hyundai Motor Studio, Beijing; OCAT Shanghai, Shanghai; Busan Biennale 2016, Busan; Shanghai Minsheng Art Museum, Shanghai; CAFA Art Museum, Beijing; OCAT Xi’an, Xi’an; Yuz Museum, Jakarta and UCCA, Beijing. He was awarded the 2nd Porsche “Young Chinese Artist of the Year”(2018-2019) and was also a finalist for the 4th Art Sanya Huayu Youth Award (2015).

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