Optimized Heart: David Douard / Liu Shiyuan
UCCA Dune
2023.3.26 – 6.25
Li Liao: The Wife Went to Start a Business
Pingshan Art Museum
2023.3.4 –
新书《生时饮罢》发布&《蜜蜂&可承受的》第三回再版
JIAZAZHI BOOKS
2023.2.18
Sediment
Sifang Art Museum
2022.12.16 – 2023.1.15
Towards Evenings: My Heart
Denmark Aarhus Galleri Image
2022.10.21 – 12.18
Being Theoria: 4th Hangzhou Triennial of Fiber Art
Zhejiang Art Museum, Hangzhou Museum
2022.9.30 – 12.4
Moonquake
Long Museum
2022.9.3 – 2022.10.16
Documentary film of He Xiangyu`s Mia & Elephant
From South to North
Macalline Art Center
2022.7.10 – 2022.10.10
With Sign Language and Sound, an Artist Upends Audience Perceptions
The New York Times
2022.7.9
Afterimage
MAXXI
2022.7.6 – 2023.2.19
The Finalists’ Exhibition of Mario Merz Prize
Fondazione Merz
2022.6.9 – 9.25
艺术90后｜张子飘：矛盾和冲突，寻找生命体验的临界点
ArtExpress
2022.5.30
“斗士”张子飘 绘画里的勇气
iWeekly
2022.5.28
Stepping Out! Female Identities in Chinese Contemporary Art
Lillehammer Art Museum
2022.5.13 – 10.16
Kunstforeningen GL STRAND
2022.12.1 – 2023.3.12
Museum der Moderne Salzburg
2023.4.4 – 7.2
ARTFORUM Critics’ picks | He Xiangyu
CCA BERLIN – CENTER FOR CONTEMPORARY ARTS
2022.4.29 – 5.28
Atlas of Affinities: Vol. 1, The Far-Near
Hua International
2022.4.29 – 2022.7.23
“PENUMBRA” Presented by Fondazione In Between Art Film Presents
Fondazione In Between Art Film
2022.4.20 – 2022.11.27
‘She’s creating her own language’ Christine Sun Kim’s unique sound art
The Guardian
2022.3.24
Dormant Landscape
Yuan Art Museum
2022.3.19 – 5.22
How I became an artist: Christine Sun Kim
Art|Basel
2022.3
起范儿｜闻香识女孩
BAZAAR
2022.3.15
From Antung to Dandong: Rafts, Broken Bridges and Passers-by on the Yalu River
Wind H Art Center
2022.3.13 – 6.5
李姝睿 欲停再追光&童文敏 黄桷坪往事
MODERN WEEKLY
2022.3.12
特别策划 | 她们的人世间：特性而非独性
Artron.net
2022.3.8
ON | OFF 2021: Carousel of Progress
He Art Museum
2022.2.4 – 4.17
A Show About Nothing
ART MATTERS
2021.12.25 – 2022.05.08
女性艺术特辑 ｜ 她们互为镜像，映射了这个时代的复杂性
T China
2021.12.22
2021 OCAT Biennale “Boomerang”
OCAT Shenzhen
2021.12.19 – 2022.5.22
张子飘 作品
keyiart
2021.11.14
跟着他敲重点：藏家黄勖夫的西岸博览会之选
Artsy
2021.11.10
Super Fusion: 2021 Chengdu Biennale
Chengdu Tianfu Art Park
2021.11.6 – 2022.4.6
Valentino Re-signify part II, Beijing
T-10 exhibition space, SKP South
2021.10.17 – 11.7
A chair,
ZHI Art Museum
2021.10.1 – 2022.4.10
CRIP TIME
Museum für Moderne Kunst MMK
2021.9.18 – 2022.1.30
尚端：肉与花
Salon94
2021.9.16
Heart of Anchor
Salon 94
2021.9.8 – 2021.10.9
the Art of Escapism: Seoul MediaCity Biennale 2021
Seoul Museum of Art
2021.9.8 – 11.21
Miracle of Life: Art Collection Exhibition for Celebrating The 25th Anniversary of Taikang Insurance Group
Guardian Art Center
2021.8.22 – 10.8
Christine Sun Kim: On What Listening Looks Like
The Gentlewoman Magazine, Issue 24, Autumn. Winter.
Unknown Games
Shanghai Duolun Museum of Modern Art
2021.8.15 – 10.17
Christine Sun Kim与ARGOS总监谈如何将“残障”问题框定在污名之外
Ocula
2021.8.14
In the Midst of It All
G Museum
2021.7.17 – 11.28
Metal, Wood, Water, Fire, and Earth
PACE, Palo Alto
2021.7.14-8.21
To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction
Wind H Art Center
2021.6.20 – 9.7
简策：双色舞台
The Art Room
2021.6.16
创作摘录 | 简策10条创作观点
The Art Room
2021.6.16
Futurism of the Past — Contemplating the Past and Future in Chinese Contemporary Art
Beijing Contemporary Art Expo 2021, STORY
2021.6.15 – 8.31
Wang Tuo: Empty-handed into History
UCCA Beijing
2021.6.6 – 9.5
李氏家宅鸿运展
ARTFORUM展评
2021.6.4
Stroll – from community to nature
Cloud Art Museum
2021.5.30 – 8.29
As if Gone from the World
OCT Boxes Art Museum
2021.5.25 – 6.23
艺术工场·美女画家张子飘：我生活都高兴的不行了，怎么能喜欢“高级灰”那些东西
NOONCULTURE
2021.5.18
GAO Ludi-在芜杂中创造趣味
ELLE DECORATION
2021.5.17
绘画有声｜简策：抽象的潜力
Taikang Space
2021.5.13
Interweaving Poetic Code
Mill 6 CHAT
2021.5.1 – 7.18
The Circular Impact: Video Art 21
OCAT Shanghai
2021.4.28 – 7.11
Wisdom of Everyday Life-Contemporary Art Invitation Exhibition
Museum of Contemporary Art Yinchuan
2021.4.24 – 6.17
TONG Wenmin | Gallery Weekend Beijing Public Sector
Gallery Weekend Beijing
2021.4.23 – 7.23
Bodies of Water: The 13th Shanghai Biennale
Power Station of Art
2021.4.17 – 7.25
Pavilion of the P. R. China at the 58th International Art Exhibition
He Art Museum
2021.4.11 – 6.6
巴塞尔艺术展春季影院 |《游》
Art Basel
2021.4.9
GAO Ludi: 绘画道路上的前行者
Artron
2021.4.4
张子飘×UGG | 三里屯太古里春日限时“无界之花”
2021.3.31 – 4.10
Reconnecting
Surplus Space
2021.3.27 – 6.20
American Sign Language Finds Its Spotlight
The New York Times
2021.3.25
Cover: Enclave Contemporary Opening Exhibition
Enclave Contemporary
2021.3.20 – 5.23
LI Shurui: High Light: Splendor Worn Thin in the Recesses of Time
LONG MUSEUM (West Bund)
2021.1.31 – 4.10
Translating Deaf Culture, Christine Sun Kim Underlines the Difficulty of Interpretation
Hyperallergic
2021.1.19
HE Xiangyu: Soft Dilemma
Andrew Kreps Gallery
2021.1.15 – 2.20
植物里隐藏的暴力美学
Madame Figaro
2020.12.31
The Curation Workshop II
OCAT Shenzhen×OCAT Art & Design Gallery
2020.12.30 – 2021.5.7
2020 A4 Artist in Residence International Exchange Program Exhibition: People Nearby
A4 Art Museum
2020.12.26 – 2021.4.17
The Exhibition of Annual of Contemporary Art of China 2019
Pingshan Art Museum
2020.12.22 – 2021.3.28
I Love You Too
GAO TAI GALLERY
2020.12.31 – 2021.2.26
‘I Want to Be Able to Maintain My Clear Voice’: Artist Christine Sun Kim on Translating Her 2020 Into Trenchant New Drawings
artnet news
2020.12.15
The First Jinan International Biennale “Da weltet die Welt”
Jinan Art Museum
2020.12.13 – 2021.3.12
Somewhere Between Abstract and Concrete
Carl Kostyál
2020.12.10 – 2021.3.4
2020 Shenzhen (Yantian) Youth Art Week
Dameisha Art Museum
2020.12.4 – 12.10
A Tale of Two Cities Chengdu and Chongqing
Chengdu Contemporary Image Museum
2020.12.2 – 2021.4.4
ASL IRL: Christine Sun Kim and Thomas Mader interviewed by Isabel Parkes | BOMB Magazine
BOMB Magazine
2020.11.27
何翔宇：硬腭三章
Ocula Insight
2020.11.19
The 13th Shanghai Biennale-Special Projects: TONG Wenmin: A Long Time Ago-PSA
Power Station of Art
2020.11.10 – 11.14
GAO Ludi-1:1
QIAO SPACE
2020.11.11 – 2021.1.31
Koganecho Bazaar 2020
Koganecho Japan
2020.11.6 – 11.29
MAGNET: Fleeting Forces in Forms
Vacancy Gallery
2020.11.6 – 12.26
El Lisstzky’s Rooms
Surplus Space
2020.11.3 – 12.30
ICON MODE|张子飘:我的艺术就是我
THEICON
2020.11.2
In aller Munde Von Pieter Bruegel bis Cindy Sherman
Kunstmuseum Wolfsburg
2020.10.31 – 2021.4.5
From the Mundane World: Launch Exhibition of He Art Museum
He Art Museum
2020.10.1 – 2021.2.28
GAO Ludi
Artnow
2020.10.17
100 Drawings from Now
The Drawing Center, New York
2020.10.7 – 2021.1.17
2020 Tank Art Festival
Tank Art Center
2020.10.3 – 10.6
GAO Ludi
CC Foundation
2020.9.30
AI: Love and Artificial Intelligence
Hyundai Motorstudio Beijing
2020.9.30 – 2021.1.3
Reconstruction × RE’VAN
Epoch Art Museum
2020.9.27 – 12.20
Duration: Chinese Art in Transformation
Beijing Minsheng Art Museum
2020.9.25 – 2025.9.25
Studio Berlin: artworks replace dancing bodies in the legendary Berghain club
Financial Times
2020.9.16
#on paper_未命名 简策 & 程昱峥艺术家书项目《锚》
On Paper Studio
2020.9.10
Readings From Below
Times Art Center Berlin
2020.9.10 – 2021.1.31
MAGICAL SOUP
Staatliche Museen zu Berlin
2020.9.6 – 2021.1.3
Studio Berlin
Berghain, Berlin, Germany
2020.9.9 – 2021.6.27
The Artist Christine Sun Kim and Thomas Mader answer our questionnaire-on the Pink Panther, rupturing languages, and Netflix
BerlinArtWeek
2020.9.4
Intervention and Redevelopment: The Imagery Means of Contemporary Art
Guangdong Museum of Art
2020.8.28 – 9.12
杨紫 x 张子飘 | “令人上瘾的”
ARTSHARD
2020.8.20
In the Name of Flower
Pearl Art Museum
2020.8.8 – 12.6
The C: Digital interactive Art Experiment
TANK Shanghai
2020.7.1 – 9.30
The Sound of Passing Time: Christine Sun Kim
Mousse Magazine
2020.7.4
2020-SONG ART INVITATION EXHIBITION
Song Art Museum
2020.6.20 – 8.30
LI Liao: Anacatesthesia
QIAO SPACE
2020.6.20 – 10.11
Étude
Aranya Art Center
2020.5.23 – 8.23
2020 MMCA Asia Project: Looking for Another Family
MMCA Seoul
2020.5.22 – 8.23
Embodied Mirror: Performances in Chinese Video Art
NCAF Beijing Space
2020.5.22 – 8.30
Meditation in an Emergency
UCCA Center of Contemporary Art
2020.5.21 – 8.30
UN/CONVENTIONAL – OCAT x KADIST Emerging Media Artist Exhibition 2020
OCAT Shanghai
2020.5.16 – 8.16
Standing At The Crossroads
WHITE SPACE
2020.4.30
How Do We Begin?
X Museum
2020.5.30 – 11.28
Christine Sun Kim at MIT List Visual Arts Center
Artforum International
2020.3.2
This artist signed the national anthem for Super Bowl audiences. With her MIT show, she nudges visitors toward ‘respecting our deafness.’
The Boston Globe
2020.2.13
Queering Now
Rich Mix, London
2020.2.7 – 2.8
Deaf Artist’s National Anthem Interpretation Is Required Viewing for the Super Bowl
Time
2020.2.3
Unconventional Beauty
Neocha
2020.1.13
Re-睿: Pavilion of the P.R.China at the 58th International Art Exhibition La Biennale Di Venezia
Guardian Art Center
2019.12.22 – 2020.3.8
A Rose is a Rose is a Rose
HOW Art Museum
2019.12.21 – 2020.4.12
Corner Square Montage
Surplus Space
2019.11.23 – 2020.2.22
Lunar Phases
UCCA Lab
2019.11.13 – 12.4
Ways of Seeing
Daejeon Museum of Art
2019.11.5 – 2020.1.27
The Deficit Faction
Long March Space
2019.11.2 – 2020.1.1
Cosmopolis #2
Centre Pompidou
2019.10.23 – 12.23
A Composite Leviathan
Luhring Augustine Bushwick
2019.10.11 – 12.21
Encounter
Shanghai Urban Space Art Season
2019.9.29 – 11.30
SYMBIOSIS: The Intertextuality of Art and Poetry
OCAT Shenzhen
2019.9.21 – 11.10
The Return of Guests: Selections from the PSA Collection
Power Station of Art
2019.9.20 – 2020.3.8
Forget Sorrow Grass: An Archaeology of Feminine Time
Guangdong Times Museum
2019.9.14 – 11.17
The Force Temple
The 5th Ural Industrial Biennial of Contemporary Art: Immortality
The Ural Optical and Mechanical Plant
2019.9.12 – 12.1
Relative Distance
Shanghai Oil Painting & Sculpture Institute Art Museum
2019.9.6 – 9.22
The Kind Stranger
UNArt Center
2019.8.24 – 10.20
Museum
Frankfurt’s Museum für Moderne Kunst
2019.8.17 – 2020.2.16
Spiritual Origin
Long Museum
2019.6.29 – 7.14
The Racing Will Continue, The Dancing Will Stay
Guangdong Times Museum
2019.6.22 – 8.18
张子飘：我不只是个艺二代
VOGUE
2019.6
The Infinite Mix – 2019 Airport Biennale
Guangzhou
2019.6.1 – 8.31
What Is It that Makes Today’s Life So Different?: Porsche Young Chinese Artist of the year of 2018-2019
Beijing Exhibition Centre
2019.5.30 – 6.2
Liu Xinyi
Artforum
2019.5.27
An Artist Who Channels Her Anger Into Pie Charts
The New York Times Style Magazine
2019.5.21
Kunstraum Berlin
German Embassy, Beijing
2019.5.18 – 6.15
Yang Jian: A Big Metaphor
Microneme Space
2019.5.12 – 6.11
The 58th La Biennale di Venezia-China Pavilion
The 58th Venice Biennale Chinese Pavilion
2019.5.11 – 11.24
Applause is Due
DRC No.12, Beijing
2019.4.28 – 6.30
Roots
A4 Art Museum
2019.4.27 – 7.28
Now Is the Time: 2019 Wuzhen Contemporary Art Exhibition
Wuzhen
2019.3.31 – 6.30
Cutthroat Kitchen
MINE PROJECT
2019.3.27 – 2019.4.27
Remapping Reality: Selected Video Collection from Wang Bing
OCAT Shanghai
2019.3.23 – 6.16
Under Construction
Tank Shanghai
2019.3.23 – 8.24
hic sunt leones
Gallery Weekend Beijing Up&Coming Sector
2019.3.22 – 4.18
China Landscape: Selections from the Taikang Collection 2019
798 Art Zone
2019.3.21 – 5.5
Christine Sun Kim
Berlin Art Link
2019.2.8
HOW NOW · The Life APP
How Museum
2019.1.19 – 4.19
Review: What does sound look like? Artist Christine Sun Kim’s funny, at times enthralling answers
Los Angeles Times
2019.1.18
8102: On Reality
OCAT Shanghai
2018.12.29 – 2019.3.10
童文敏：始于感知的行动
Art Frontier
2018.12.7
Christine Sun Kim
Art Forum
2018.12.23
The 6th Guangzhou Triennial 2018: As We May Think：Feedforward
Guangdong Museum of Art
2018.12.21 – 2019.3.10
The Comfort Zone At A Distance
Taikang Space
2018.12.13 – 1.19
The Street. Where the World is Made
MAXXI Museum
2018.12.6 – 2019.4.28
Abu Dhabi Art Fair
Abu Dhabi Art Fair
2018.11.19 – 11.23
Flowing Books—Temporality: OCAT Nanjing Qixia Public Art Project 2018
OCAT Nanjing
2018.11.6 – 2020.3.10
Remixing Ground: Deconstructing Damage
La Chapelle de Clairefontaine
2018.10.13 – 2019.1.19
New Metallurgists
Julia Stoschek Foundation
2018.10.2 – 2019.4.28
幻影水师
art world
2018.8.23
Sculpture Projects Ping Yao
Pingyao, China
2018.7.20 – 8.20
Edge of Now
Nam June Paik Art Center
2018.7.12 – 9.16
HE Xiangyu-10 Must-See Works at Art Basel Unlimited
Artsy
2018.6.12
Assembling
chi K11 Art Space
2018.5.27 – 8.25
Navigating Laws and Accessibility in Exhibition Practices
Art Asia Pacific
2018.4.23
Nine Journeys Through Time
Palazzo Reale
2018.4.5 – 5.13
Artist Christine Sun Kim on Drawing, Sound, and Interpreting
Humor and the Abject
2018.3.28
Post-Brushwork Era: Chinese Landscape
Guangdong Museum of Art
2018.3.23 – 4.26
Show & Tell with Artist Christine Sun Kim
standardhotels
2018.3.20
A conversation with He Xiangyu
Ocula
2018.3.8
Ignacio Uriarte
Artforum
2018.1.19
Boundless Realities, Multiple Nows: Contemporary Art From Hubei as a Sample
Wanlin Art Museum
2017.12.29 – 2018.2.28
The Glass Bead Game
MoCA Pavilion, Shanghai
2017.12.23 – 2018.1.20
On Paper One
Zap Beijing
2017.11.25 – 12.10
Gao Ludi: Painting Blind Wyoming Project
No.12, Houyongkang Hutong, Beijing
2017.11.19 – 2018.2.28
Christine Sun Kim
Seoul Museum of Art
2017.11.19
By Himself
OCAT Xi’an
2017.9.23 – 2018.1.28
Cold Nights
UCCA
2017.9.15 – 12.17
QinJun: Space Travle
HuArts
2017.8.8
Constellation: Contemporary Art in Today’s China
Georgian National Museum
2017.8.6 – 11.9
LEI-PĀ
ST PAUL St Gallery
2017.8.3 – 9.8
Being Information
SSSSTART
2017.7.15 – 9.9
The Lexicon of Amnesia An Interview with Wang Tuo
YISHU
2017.7.11
I Do (Not) Want To Be Part Of Your Celebration
Qiao Space
2017.6.29 – 8.27
Dream-atic
Christian Louboutin Sanlitun Gallery
2017.6.19 – 9.30
Wang Tuo: Myths We Don’t Outgrow
Leap
2017.6.10
Social Emotion
Cc Foundation & Art Centre
2017.6.10 – 8.27
Wang Tuo
Frieze
2017.5.27
The Symbolic World and the De-Subjectivized Portraits
Art World
2017.5.20
Bunker #3
Boros Collection
2017.4.30 – 2021.4
“从未走出的神话”：观念意识的生成与流变
IART
2017.4.20
Wang Tuo
Art Asia Pacific
2017.4.12
The New Normal: China, Art, and 2017
UCCA
2017.3.19 – 7.9
HE Xiangyu
yuntoo
2017.3.15
HE Xiangyu
Artforum
2017.3.15
Gao Ludi: Sister Wendy and LED
Fine Arts Literature
2017.3.15
HE Xiangyu
Artifeng
2017.3.13
Jian Ce: La Grand Illusion
LEAP
2017.2.15
Between Utopia and Dystopia
Massimo De Carlo
2017.1.20 – 3.11
크리스틴선킴 Christine Sun Kim
Art in Culture
2017.1.17
5 Exhibitions to see in Beijing in January 2017
Art Radar
2017.1.2
Toward The Emergence of Resistance
Taikang Space
2016.12.30 – 2017.3.4
王拓谈“失忆事典”
Artforum
2016.11.27
GAO Ludi
Artforum
2016.11.26
Interviews: Christine Sun Kim
Artforum
2015.11.25
展评 | 王拓：失忆事典
Flash Art
2016.11.21
Good Vibrations-Catriona Gray
BAZAAR-ART
2016.11.18
GAO Ludi
Art 798
2016.11.15
GAO Ludi
ARTSKY
2016.11.13
11th Shanghai Biennial: Why not ask again
Power Station of Art
2016.11.11 – 2017.3.12
Our Painting
Yang Art Museum
2016.11.12 – 2017.2.25
Harley Weir celebrates female creativity in new film series for Chanel and i-D
CREATIVE REVIEW
2016.11.8
A Silent Soundwalk, Noisy with Abstract Compositions
HYPERALLERGIC
2016.11.4
Nadim Abbas and Tuo Wang: Only the Lonely
LEAP
2016.10.6
10 Artists You Might Not Know Are Berlin-Based
Sleek Magazine
2016.10.6
The Politics of Sound：An Interview with Christine Sun Kim
Art in America
2016.10.6
Secret Chamber
AM Art Space
2016.10.1 – 11.13
Liu Xinyi: Hundred Thousand Miles Away
Art World
2016.9.29
10 Artists You Might Not Know Are Berlin-Based | Sleek Magazine
高磊 从旷野到彼岸
798艺术
2016.9.14
高磊-从Pixel到物质
空艺术
2016.9.13
Yinchuan Biennale: For an Image, Faster Than Light
MOCA Yinchuan
2016.9.9 – 12.18
Soil and Stones, Souls and Songs
MCAD
2016.9.6 – 12.4
Busan Biennale: Hybridizing Earth, Discussing Multitude
Busan Museum of Art
2016.9.3 – 11.30
12 Sound Artists Changing Your Perception of Art
artnet
2016.8.24
Liu Xinyi: Hundred Thousand Miles Away
Art World
2016.8.2
Liu Xinyi：Hundred Thousand Miles Away
LEAP
2016.7.31
Liu Xinyi: Hundred Thousand Miles Away
Artron
2016.6.29
Liu Xinyi: Hundred Thousand Miles Away
Artforum
2016.6.24
Between Language and Infinity
Ran Dian
2016.6.8
杨健“无穷的开始”：都市建筑的时空变异
瑞象馆
2016.6.7
Trick or Treat
Yang Art Museum
2016.5.14 – 5.22
Meet The Sound Artist Who’s Changing The Way We Listen
UPROXX
2016.5.12
Point to Line
Jewelvary Art & Boutique
2016.5.12 – 6.24
Christine Sun Kim
Arban
2016.5.11
GAO Ludi
HIART
2016.5.10
The Deaf Artist Reconstructing Sound
OZY
2016.4.27
杨健 观念的手感
ARTYOO
2016.4.25
Tuo Wang’s ‘multi-narrative spectacles’ on display at Riverviews Artspace
The News and Advance
2016.4.3
Alessandro Facente, curatore embedded
La Voce di New York
2016.4.3
李燎：通过行为的认同
LEAP
2016.3.30
LI LIAO: Art is Vacuum
Artforum
2016.3.29
Pay It Forward, Christine Sun Kim
Artforum
2016.3.26
Critic’s Guide: Beijing
Frieze
2016.3.15
LI LIAO:“Attacking the Boxer from Behind is Forbidden”
Randian
2016.3.15
执行违背常理的戏剧性脚本
Artron
2016.3.9
Transcendence
SPSI Art Museum
2016.3.4 – 3.23
Notes
LEAP
2016.2.16
SHI ZHIYING
David Hinton
2015.12.31
Art Review Asia
Art Review Asia
2015.12.30
Luo Zhongli Scholarship: 10th Anniversary Retrospective Exhibition
CAFAM
2015.12.26 – 2016.2.20
A Long Stroke
Zhu Zhu
2015.12.20
Grains of sand in the Universe
Half the Sky
2015.12.18
Art Sanya: Scenarios of Time
Art Sanya
2015.12.17 – 2016.3.17
The Aural Artist
Interview Magazine
2015.12.14
GAO Ludi
LEAP
2015.10.17
No Longer / Not Yet
MINSHENG ART MUSEUM, Shanghai
2015.10.17 – 12.16
Gao Ludi Solo Exhibition
Artforum
2015.9.28
Let Feelings Fly in Space & Time
White Wall
2015.9.18
GAO Ludi
HIART
2015.8.31
Liu Xinyu: The Chaoyang Masses
Artforum
2015.8.23
The Chaoyang Masses
A 307 Space
2015.8.8 – 8.28
The universe is a mirror
Art World
2015.7.24
HE Xiangyu
Art and Design
2015.7.23
Interview
Art Reveal Magazine
2015.7.8
SHI ZHIYING
Global Times
2015.6.26
SHI ZHIYING: 在绘画中建立一个感性又稳定的结构
art.ifeng.com
2015.6.16
New Directions: He Xiangyu
UCCA
2015.6.11 – 8.9
About Perception
Jewelvary Art & Space
2015.6.5 – 8.10
“Surround Audience”-The 2015 New Museum Triennial
Haber’s Art Reviews
2015.5.13
LIU SHIYUAN：打醒那个迷失的人
2015.5.7
Listening to the Lines
Ginza Maison Hermès “Le Forum”
2015.4.24 – 7.5
TAN TIAN: Jump to second solo show
ARTFORUM
2015.4.15
“BODY AS MEDIUM”
LEAP
2015.4.15
TAN TIAN：当如何成为艺术家成为问题本身
Hi Art
2015.4.10
TAN TIAN：惯例下的操演
Huang Bihe
2015.4.9
TAN TIAN·Jump to second solo show
Artnet News China
2015.4.9
Tuo Wang “A Study for Human Opera: Prelude”
LEAP
2015.4.8
Performing the Teacher
William Cobett
2015.4.7
The System of Objects
Shanghai Minsheng Art Museum
2015.3.29 – 6.28
The Surround Audience: New Museum Triennial 2015
New Museum of Contemporary Art
2015.3.24 – 5.24
The effervescence of artist He Xiangyu
The Japan Times
2015.3.22
Emergence of the next Generation
ARTCO
2015.3.12
An Interview with Tuo Wang
video focus
2015.3.7
INNER PAINTING
私家CIRCA
2015.3.7
This is NOT Painting: Exploring the Boundary of Painting
Art Asia Center
2015.1.31 – 3.29
He Xiangyu, article by Venus Lau
ARTFORUM
2015.1.25
Elisabeth Condon Talk Pt.2: GAO Lei
Elisabeth Condon
2015.1.17
Liu Xinyi: Politics of Knowledge and Practice
LEAP
2014.12.18
戴卓群：杨健是一个将批判和抵抗日常化的艺术家
Art Bank
2014.12.18
玩物有志
Hi艺术
2014.12.13
10th Shanghai Biennale: Social Factory
Power Station of Art
2014.11.23 – 2015.3.31
THE MAKING OF A MUSEUM
Aurora Museum
2014.11.22 – 2015.3.31
Liu Xinyi: Political Expression is Not What I Concern
Hi Art
2014.10.31
Alter-Circuit Shiyuan Liu
My Paper Knife at Et al-Temporary
2014.10.24
New Generation of Abstract Art
SI SHANG ART MUSEUM
2014.10.18 – 2015.2.6
Stewed Beef and Potatoes Communism
Randian
2014.10.17
DOUBLE OPENING AT WHITE SPACE BEIJING：XIE FAN AND HE XIANGYU
LEAP
2014.10.16
Liu Xinyi | Goulash
WHITE SPACE
2014.10.16
Present Future
Artissima
2014.10.16
ZHAI LIANG：纽约是个大骗子
Artforum
2014.10.16
LIU WENTAO: XUAN
LEAP
2014.10.15
Liu Xinyi
Artforum
2014.9.18
GAO Ludi
Art China
2014.9.10
Liu Xinyi: Out of “Political Path” Discussion
I Art
2014.8.28
PROJECTION
LEAP
2014.8.20
艺术家有点像荒野里的独行者：向京×翟倞
Oriental Art Master
2014.8.14
IMAGR AND PROJECTION
Art China
2014.7.16
SHI ZHIYING: 朽与不朽
Hi Art
2014.7.10
无法测量的经验
I ART
2014.7.10
HE Xiangyu_article by Philip Tinari
ARTINVESTOR
2014.7.1
THE 8 OF PATHS: ART IN BEIJING
LEAP
2014.6.25
The Difficulty With Light
LEAP
2014.6.20
PROJECTION
ARTFORUM
2014.6.18
Six degrees of innovation
The Boston Globe
2014.4.24
BIG RED AND SHINY
Brian Christopher Glaser
2014.4.23
Self-Assessment－Scope
Article
2014.4.16
ZHAI LIANG Interview
Scope
2014.4.10
GAO Ludi
ARTFORUM
2014.3.18
Expert Recommendation
ART VISION MAP
2014.3.12
ZHAI LIANG The Whole of Knowledge
LEAP
2014.3.6
门牌号：黑桥C院
ART VISION MAP
2014.2.27
门牌号：黑桥B院
ART VISION MAP
2014.2.19
Conversation between Xiang Jing and Liu Xinyi
Master Oriental Art
2014.2.6
HE XIANGYU: CROSSED BELIEFS
LEAP
2014.1.25
The Eternal Background
LEAP
2014.1.15
Liu Xinyi on his practice
Artforum
2014.1.15
“LI LIAO：有惊无险的2013”
Hi Art
2013.12.26
ZHAI LIANG：儿时的文人梦
Hi Art
2013.12.18
Political Games and the Politics of Play – on “Responsive Institution”
Look Art Space
2013.12.12
Incorrectness
WHITE SPACE
2013.12.11
28 Chinese: Rubell Family Collection
RUBELL FAMILY COLLECTION/CONTEMPORARY ARTS FOUNDATION
2013.12.4 – 2014.8.1
GAO Lei: Carrier
Randian
2013.10.26
SHI ZHIYING To the Infinity
Artist
2013.10.23
“PUT LIFE IN”
Art Bank
2013.10.17
Visibility
SPSI ART MUSEUM
2013.9.24 – 11.30
GAO Lei: Carrier
LEAP
2013.9.18
Local Future
HEXIANGNING ART MUSEUM
2013.9.15 – 11.24
Video Artist Series Liu Shiyuan
Randian
2013.8.30
STRONG WOULD-BE MASTERS
The Boston Globe
2013.8.6
SHI ZHIYING: 用“珠子”探索时空与宇宙
Artron
2013.6.16
Light Pavilion Project
Taikang Space
2013.6.14
Local Futures
He Xiang Ning Art Museum
2013.6.6
A Conversation With Photography Liu Shiyuan
Fotozeitung FLINK
2013.5.16
LIU SHIYUAN A FOCUS ON BOUNDARY
LEAP
2013.4.19
The Edge of Reason
Time Out Beijing
2013.4.12
LIU WENTAO: Infinite Line
URBAN LOOK
2013.3.7
It is not a comment
Contemporary Art
2013.3.7
LI SHURUI
BAZAAR
2013.3.7
WANG HAIYANG The Metamorphosis
Art Review
2013.3.5
Liu Xinyi
Bazaar Art
2013.2.13
The Life of Agent L – Action…Cut Booklet
Yuz Foundation
2013.2.7
“What is an iPad Doing on a Pedestal at a Chinese Art Museum？”
The New Yorker
2013.2.7
每一个别人里面都有你自己，这并不可耻
TimeOut
2013.1.16
HE Xiangyu
100% CREATIVE ICONS
2013.1.10
LIGHT AND SHADOW
SHANGHAI ART MUSEUM
2012.12.23 – 12.30
The Seventh Shenzhen Sculpture Biennale – Accidental Message Art is not a System, not a World
Li Ran
2012.12.21
Chinese Art Through 28 Artists
THE ART NEWSPAPER
2012.12.21
梦境魔术师王海洋个展《变形记》
Artitude
2012.12.20
Between Dimensions
LEAP
2012.12.18
A Sprinkle of Salt
MOT/ARTS
2012.12.15 – 2013.1.13
XIE FAN：层叠与渗透
Numéro
2012.12.13
何翔宇、杨健：反观“自我”与现代文明
ARTCO
2012.12.7
WANG HAIYANG：暗涌
Hi Art
2012.12.6
HE Xiangyu
Lifestyle
2012.10.27
Mechanism, Starting Now
Art Bank
2012.10.26
HE Xiangyu
Randian
2012.10.25
YANG JIAN Unclaimed Objects
LEAP
2012.10.19
HE Xiangyu
LEAP
2012.10.17
Sea change
TimeOut
2012.10.17
空间冲突的有限性
ORIENTAL ART MASTER
2012.10.17
何翔宇：诗意的政治美学
Xu Fang
2012.10.16
YANG JIAN：简单机械
ARTFORUM
2012.9.21
Neue Tendenzen in der chinesischen Gegenwartkunst
Neue Bürcher Beitung
2012.9.16
年轻人的机锋 空白空间双个展
Hi Art
2012.9.12
Liu Xinyi: Agent
LEAP
2012.8.15
LI SHURUI
Frieze
2012.7.25
THE SHELTER：ALL FEARS COME FROM THE UNKNOWN SHIMMERING AT THE EDGE OF THE WORLD
LEAP
2012.6.14
Things Lost and Found
ARTslant
2012.6.14
形式与符号的对比，空白空间双个展
Hi Art
2012.6.8
“打工”艺术家的职业追求
Hi Art
2012.5.17
绘画装置中的身体感受
Hi Art
2012.5.16
HE XIANGYU THE PRIMACY OF PROCESS
LEAP
2012.5.1
由常年遗忘堆砌出的世界
Numéro
2012.4.18
HOT ARTIST
Art Guide
2012.4.16
GAO Lei_article by Kun Niqing
Time Out
2012.4.15
绢上的风景
Hi Art
2012.3.16
COLA PROJECT
4A Centre for Contemporary Asian Art
2012.3.16 – 5.5
GAO Lei
Chinese Contemporary Art News Magazine
2012.2.11
GAO Lei_article by Iona Whittaker
ART REVIEW
2012.1.18
爱神旅店
Contemporary Art News
2011.11.16
LI SHURUI
PHAIDON
2011.10.12
Inside the mind of Li Shurui
PHAIDON
2011.10.12
Between Dimensions
LEAP
2011.10.11
Palomar by SHI ZHIYING
Zhang Bing
2010.3.20
拉直心灵褶皱的网格-刘文涛专访
MASTER
2009.11.25
SHI ZHIYING: 心中有大海
UCCA
2009.7.16
Time and Writing
ART TODAY
2008.8.8